{"product_id":"past-continuous-tense","title":"Past Continuous Tense","description":"\u003ch3 class=\"hero-exhib__title title--h2\"\u003ePast Continuous Tense\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eFor its inaugural collaboration with the historic Arion Press, the Asian Art Museum of San Francisco is pleased to present this limited-edition multiple of artist Lam Tung Pang’s monumental work, \u003c\/span\u003e\u003ca href=\"https:\/\/exhibitions.asianart.org\/exhibitions\/past-continuous-tense\/\"\u003ePast Continuous Tense\u003c\/a\u003e\u003cspan\u003e, with an accompanying poem especially commissioned for the project from Pulitzer Prize-winning writer, Forrest Gander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the exhibition:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExclusively at the Asian Art Museum, \u003cem\u003ePast Continuous Tense\u003c\/em\u003e (2011) gives audiences a chance to connect important works from historical masters, many in the museum’s collection, with an exploration of contemporary themes of global significance.\u003c\/p\u003e\n\u003cp\u003eAfter years of research at the Chinese University of Hong Kong’s New Asia College library, Lam (Chinese, b. 1978) carefully rendered ink paintings from great masters, including colophons (artists’ inscriptions or collectors’ stamps) onto 52 planks of simple plywood spanning 52.5 feet. Instead of ink and brush, however, he employed an extraordinary technique: blowtorch and charcoal to score the intricate drawings into the wood, overlain with ashes to recreate the gauzy effect of paint on silk.\u003c\/p\u003e\n\u003cp\u003eGuest curated by Mia Yinxing Liu, Assistant Professor in the Department of Art History at Johns Hopkins University, \u003cem\u003ePast Continuous Tense\u003c\/em\u003e introduces audiences to layers of encounter and transmission: the natural world was first mediated through past masters of ink painting, then re-mediated by a learned few into the art books and painting manuals that Lam drew from for this work.\u003c\/p\u003e\n\u003cp\u003eLam’s montage of artist historical references, rendered at a scale both intimate and lifelike, produces an arresting interactive experience with both history and nature, at once contemplative and problematic. The artist’s forest, created from canonical imagery of the past, invites reflection on our relationship to nature, our current era of ecological devastation, and the relationship between the virtual and the real. The use of fire on wood is a keen reference to the fragility of both our cherished artworks and lived natural environment.\u003c\/p\u003e\n\u003cp\u003eDrawing its title from English grammar, \u003cem\u003ePast Continuous Tense\u003c\/em\u003e conveys an ongoing action that already took place, but perhaps one that continues to impact our present. “Lam’s work is both prophetic and nostalgic,” says Abby Chen, Head of Contemporary Art at the Asian Art Museum. “\u003cem\u003ePast Continuous Tense\u003c\/em\u003e reckons with issues of change in the name of a ‘progress’ whose benefits often raise more questions than they answer.”\u003c\/p\u003e\n\u003cp\u003eArtwork by Lam Tung Pang\u003c\/p\u003e\n\u003cp\u003ePoetry by Forrest Gander\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCloth Hardcover\u003c\/li\u003e\n\u003cli\u003eConcertina\/leporello pagination\u003c\/li\u003e\n\u003cli\u003e5.5 x 8 x 0.4375 inches\u003c\/li\u003e\n\u003cli\u003e0.4 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASIAN ART MUSEUM","offers":[{"title":"Default Title","offer_id":49712904372480,"sku":"103993","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/3776\/files\/Past_Continuous_Tense_cover_copy.png?v=1789927353","url":"https:\/\/asianartmuseumstore.myshopify.com\/products\/past-continuous-tense","provider":"Cha May Ching Museum Boutique","version":"1.0","type":"link"}